In terms of art, the word image has vast connotations. For example, it
signifies “a reproduction of the form of a
person or object, especially a sculptured likeness.”
Mentally, images take on form in the human
mind. For example, looking at something or imaging "a mental picture
of something not real or present" gives it form.
Perhaps what makes it even more
real is its rhythm.
For example, look out a window
and watch the swaying of tree branches, in a breeze. Close your eyes and you
can still envision the image, as it has taken on the form of a swaying tree in
your mind. What gives it life is its movement when you look at it initially, or
when you recall the rhythm in your mind later.
An inspired artist
instinctively knows how to incorporate image, rhythm and form into his or her
artwork. In terms of a sculptured likeness, the image and form of art conveyed
through the media of his or her choice reveal the envisioned rhythm of the
artwork, particularly as it nears completion. In other words, it comes alive.
With respect to a sculpture, an
artist may see a man walking down the road. He draws what he sees with charcoal
and later conveys both the image and form to a marble sculpture that reveals
the life or rhythm of the man, through the action and posture accorded him by
the artist.
In terms of computer graphics,
the rhythm can become animation or the life-likeness incorporated into the
piece of artwork. Altering the action and/or posture allows the rhythm to flow
in a lifelike manner. The image and form are still present.
Image, form and rhythm,
incorporated into different kinds of visual art, reveal a multiplicity of
images, forms and rhythms that work in conjunction with one another. At times,
these are figments of the artist’s imagination, brought to life because the
human mind is capable of doing that. What comes to life begins in an inspired
artist’s mind.
Note that combining image, form
and rhythm is not always something that reveals harmony as there may appear to
be disharmony or discord. The possibilities in art are virtually endless.
Everything is in the eye of the
beholder, at least to some extent.
For example, picture a
sculpture of a man swimming against the current, ultimately victorious in
crossing a raging river. What the original artist envisions may differ from
what a person gifted with art appreciation sees. Each entails image, form and
rhythm, though different, at times.
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